Saturday, January 30, 2016

Blog 5- Pedro Navarro



South Korea did what no Korean citizen thought it could be capable of, it reinvented itself after being nearly irrelevant in terms of popular culture. As noted by Jeongsuk Joo, in Transnationalization of Korean Popular Culture and the Rise of ‘‘Pop Nationalism’’ in Korea, “Korea has successfully reinvented itself within the past several years from an obscure cultural backwater to a new center of cultural production (490).” Through the entertainment industry, South Korea rebranded itself. The change was so drastic and impressive, that Korean popular culture even made its way into North Korea, after being smuggled in illegally (Joo, 492). Although Korean popular culture began to play an increasingly visible role in transnational markets, it largely replaced foreign content at home (Joo, 491). The boom in Korean films resulted in Hollywood picking up numerous Korean films (Joo, 492). That said, replacing foreign content at home, in my opinion, was essential for K-Cool to be what it is today. However, I believe the culture can die down from one day to another as well.
I think South Korea can achieve the status of maximum national aesthetic by continuing to export its TV and music entertainment onto country’s where it has yet to reach. Considering my groups question, regarding California and its potential image as a healing state. Would it be possible to attach the idea of California as a healing state to popular culture?
 Will the plan by the Kyonggi provincial government to build a theme park called ‘‘Hallyu-wood’’ be enough to compete with the western culture represented by Hollywood?

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Joo, Jeongsuk. "Transnationalization of Korean Popular Culture and the Rise of ‘‘Pop Nationalism’’ in Korea." The Journal of Popular Culture 44.3 (2011): 489-504. 2 June 2011. Web

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