Sunday, October 1, 2017

Week 2 - Riley Frederking



In the1950’s, following the Korean War, found itself in finical crisis and was one of the poorest countries in the world. Yet, South Korea is currently in the throngs of a cultural phenomenon popularly coined the “Korean Wave” that reaches far beyond their borders. South Korea is now an epicenter for fashion, music, food, entertainment, and technology. This incredible transformation, is in my opinion, due largely to the South Korean Government, and their ability to see the importance of developing cultural policy and identity. Starting in the 60’s South Korea focused their efforts on “economic growth and cultural development” which laid foundations for such successful brands as LG and Samsung (Tran). This trend continued with “a period of major growth in the role of the state in providing support for the arts” (Yim 40) which lead to “the coming of age of Korean popular culture” in the late 1990s (Joo 490). The South Korean government is currently “one of the only countries in the world that has a Ministry of Culture” and places great emphasis on being the lead exporter of popular culture by earmarking “20-30% of a 1-billion-dollar fund to nurture and export popular culture” (“Korean Wave”). Even in my small isolated home town the local dance studios now offer K-Pop classes that feature dance moves and music from South Korean popular culture. In order to increase their “national aesthetics” status, South Korea could expand their grape production and develop a market of red wine promoted by some of their many superstars. Why not, it does seem there isn’t much that South Korea can’t do these days.

Question: Why is South Korea one of the only countries with a Ministry of Culture? Why haven't other countries placed as much focus governmental emphasize on culture?


Joo, Jeongsuk. “Transnationalization of Korean Popular Culture and the Rise of “Pop Nationalism” in Korea.” The Journal of Popular Culture. Vol. 44, No. 3, 2011.
“Korean Wave (Hallyu) - Rise of Korea's Cultural Economy & Pop Culture.” Martin Roll, 12 Aug. 2017. 1 Oct. 2017.
Noland, Marcus. “Six Markets to Watch: South Korea.” Foreign Affairs, 15 Sept. 2015. Web. 1 Oct. 2017.
Tran, Mark. “South Korea: a Model of Development? | Mark Tran.” The Guardian, Guardian News and Media, 28 Nov. 2011. Web. 1 Oct. 2017.
Yim, Haksoon. “Cultural Identity and Cultural Policy in South Korea.” International Journal of Cultural Policy. Vol. 8, 2002. pp. 37-48.  
Yonhap. “Korean Wave Exports Boom.” Inside Retail Asia, 29 Aug. 2016. 1 Oct. 2017.

2 comments:

  1. Cultural branding is a smart strategy of nation branding of Korea. President Lee Myung Bak stated: “if the nation wants to be labeled an advanced country, it will be necessary to significantly improve its image and reputation". Ones have to find something very special about themselves to mark the differences, and in case of Korea, they chose their culture (tradional and contemporary cultures). That's is the strategy of the nation, and there is even a ministry for that. It is smart because it will also encourage the people to conserve their traditional culture, even after the modernization process. You can find more information here (pdf file)

    https://www.google.com/url?sa=t&source=web&rct=j&url=https://www.uskoreainstitute.org/wp-content/uploads/pdf/Cheng.pdf&ved=0ahUKEwiptZqDh9XWAhUijlQKHUDfDX8QFgg-MAI&usg=AOvVaw121TkKOkyF3jYcREhL2uVm

    -----(TA)

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  2. And not only Korea has Ministry of Culture. Vietnam also does, but in my opinion, the ministry hasn't had 'briliant' projects for nation branding. (TA)

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